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Martin Scorsese - Wikipedia. Martin Charles Scorsese[1] (; [2]Italian: [skorˈseːze]; [note 1] born November 1.

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Martin Charles Scorsese (/ s k ɔːr ˈ s ɛ s i /; Italian: [skorˈseːze]; born November 17, 1942) is an American director, producer, screenwriter, and film.

American director, producer, screenwriter, and film historian, whose career spans more than 5. Scorsese's body of work addresses such themes as Sicilian- American identity, Roman Catholic concepts of guilt and redemption,[7]faith,[8]machismo, modern crime, and gang conflict. Many of his films are also known for their depiction of violence and liberal use of profanity. Part of the New Hollywood wave of filmmaking, he is widely regarded as one of the most significant and influential filmmakers in cinematic history.

In 1. 99. 0, he founded The Film Foundation, a nonprofit organization dedicated to film preservation, and in 2. World Cinema Foundation. He is a recipient of the AFI Life Achievement Award for his contributions to the cinema, and has won an Academy Award, a Palme d'Or, Cannes Film Festival Best Director Award, Silver Lion, Grammy Award, Emmys, Golden Globes, BAFTAs, and DGA Awards. He has directed works such as the crime film Mean Streets (1. Taxi Driver (1. 97.

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Goodfellas (1. 99. Cape Fear (1. 99. Casino (1. 99. 5), some of which he collaborated on with actor and close friend Robert De Niro.[9] Scorsese has also been noted for his successful collaborations with actor Leonardo Di.

Caprio, having directed him in five films, beginning with Gangs of New York (2. The Wolf of Wall Street (2. Their third film together, The Departed, won Scorsese the Academy Award for Best Director in addition to the film winning the award for Best Picture. Their collaborations have resulted in numerous Academy Award nominations for both as well as them winning several other prestigious awards. Scorsese's other film work includes the concert film The Last Waltz (1.

After Hours (1. 98. The Aviator (2. 00. Shutter Island (2. Hugo (2. 01. 1) and the religious epic Silence (2. His work in television includes the pilot episode of the HBO series Boardwalk Empire and Vinyl, the latter of which he also co- created. He won the Academy Award for Best Director for the crime drama The Departed (2.

With eight Best Director nominations, he is the most nominated living director and is tied with Billy Wilder for the second most nominations overall. Early life[edit]Scorsese was born in Queens, New York. His family moved to Little Italy, Manhattan, before he started school.[1. His father, Charles Scorsese, and mother, Catherine Scorsese (born Cappa), both worked in New York's Garment District. His father was a clothes presser and an actor, and his mother was a seamstress and an actress.[1.

His father's parents emigrated from Polizzi Generosa, in the province of Palermo, Sicily, and his maternal grandparents were also from Palermo, precisely from Ciminna. Scorsese was raised in a devoutly Catholic environment.[3] As a boy, he had asthma and could not play sports or do any activities with other children, so his parents and his older brother would often take him to movie theaters; it was at this stage in his life that he developed a passion for cinema. As a teenager in the Bronx, Scorsese frequently rented Powell and Pressburger's The Tales of Hoffmann (1.

Scorsese was one of only two people who regularly rented that reel. The other was future Night of the Living Dead director George A. Romero.[1. 2]Scorsese has cited Sabu and Victor Mature as his favorite actors during his youth. He has also spoken of the influence of the 1. Powell and Pressburger film Black Narcissus, whose innovative techniques later impacted his filmmaking.[1. Enamored of historical epics in his adolescence, at least two films of the genre, Land of the Pharaohs and El Cid, appear to have had a deep and lasting impact on his cinematic psyche.

Scorsese also developed an admiration for neorealist cinema at this time. He recounted its influence in a documentary on Italian neorealism, and commented on how Bicycle Thieves alongside Paisà, Rome, Open City inspired him and how this influenced his view or portrayal of his Sicilian roots. In his documentary, Il Mio Viaggio in Italia, Scorsese noted that the Sicilian episode of Roberto Rossellini's Paisà, which he first saw on television alongside his relatives, who were themselves Sicilian immigrants, made a significant impact on his life.[1. He acknowledges owing a great debt to the French New Wave and has stated that "the French New Wave has influenced all filmmakers who have worked since, whether they saw the films or not."[1.

He has also cited filmmakers including Satyajit Ray, Ingmar Bergman, Michelangelo Antonioni, and Federico Fellini as a major influence on his career.[1. His initial desire to become a priest,[2. Cardinal Hayes High School in the Bronx gave way to cinema and consequently, Scorsese enrolled in NYU's Washington Square College (now known as the College of Arts and Science), where he earned a B. A. in English in 1. He went on to earn his M.

F. A. from NYU's School of the Arts (now known as the Tisch School of the Arts) in 1. Early career[edit]Scorsese attended New York University's Tisch School of the Arts (B. A., English, 1. 96. M. F. A., film, 1. What's a Nice Girl Like You Doing in a Place Like This? It's Not Just You, Murray! His most famous short of the period is the darkly comic The Big Shave (1.

Peter Bernuth. The film is an indictment of America's involvement in Vietnam, suggested by its alternative title Viet '6. Scorsese has mentioned on several occasions that he was greatly inspired in his early days at New York University by his Armenian American film professor Haig P.

Manoogian. In 1. 96. Scorsese made his first feature- length film, the black and white I Call First, which was later retitled Who's That Knocking at My Door with his fellow students actor Harvey Keitel and editor Thelma Schoonmaker, both of whom were to become long- term collaborators.

This film was intended to be the first of Scorsese's semiautobiographical J. R. Trilogy, which also would have included a later film, Mean Streets. Scorsese became friends with the influential "movie brats" of the 1. Brian De Palma, Francis Ford Coppola, George Lucas and Steven Spielberg.[5] It was Brian De Palma who introduced Scorsese to Robert De Niro. During this period he worked as the assistant director and one of the editors on the documentary Woodstock (1.

John Cassavetes, who would also go on to become a close friend and mentor. In 1. 97. 2, Scorsese made the Depression- era exploiter Boxcar Bertha for B- movie producer Roger Corman, who also helped directors such as Francis Ford Coppola, James Cameron, and John Sayles launch their careers.[2. It was Corman who taught Scorsese that entertaining films could be shot with very little money or time, preparing the young director well for the challenges to come with Mean Streets. Following the film's release, Cassavetes encouraged Scorsese to make the films that he wanted to make, rather than someone else's projects.

Championed by influential film critic Pauline Kael, Mean Streets was a breakthrough for Scorsese, De Niro, and Keitel. By now the signature Scorsese style was in place: macho posturing, bloody violence, Catholic guilt and redemption, gritty New York locale (though the majority of Mean Streets was actually shot in Los Angeles), rapid- fire editing and a soundtrack with contemporary music. Although the film was innovative, its wired atmosphere, edgy documentary style, and gritty street- level direction owed a debt to directors Cassavetes, Samuel Fuller and early Jean- Luc Godard.[2. In 1. 97. 4, actress Ellen Burstyn chose Scorsese to direct her in Alice Doesn't Live Here Anymore, for which she won an Academy Award for Best Actress. Although well regarded, the film remains an anomaly in the director's early career as it focuses on a central female character.